Hold on, Auto Future

Title: Hold On, Auto Future
Artist: Anne de Vries
Year: 2013
Dimensions: 250 × 450 × 300 cm
Materials: Stainless steel; solvent-printed bath towels with data

About:
Towels hang from the handrail like remnants of physical activity. Printed on these towels are computer-generated texts containing data about events scheduled from 100 to several thousand years into the future. These texts are the result of random web-based searches, revealing an auto-generated vision of the future.

Air Gap Hold On

Title: Air Gap Hold On
Artist: Anne de Vries
Year: 2012
Dimensions: 117 × 60 × 8 cm
Materials: Stainless steel; digital print on towel; digital print on plastic

About:
The title refers to the concept of an air gap in both plumbing and networking contexts. In plumbing, an air gap is the unobstructed vertical space between a water outlet and the flood level of a fixture, preventing contaminated water from flowing back into the potable water system. In networking, an air gap is a security measure that physically isolates secure computer networks from insecure ones—such as the public internet—to prevent unauthorized data flow. The work reflects on ideas of separation, protection, and control.

Infinite Value

annedevries_infinite_value

Title: Infinite Value
Artist: Anne de Vries
Year: 2009
Dimensions: 5 × 74 × 53 cm
Materials: Three digital prints layered within a custom wooden frame

About:
This work features three digital prints overlaid inside a custom wooden frame. By milling out sections of the first print, another version of the same image is revealed, creating a layered visual effect.

Katanga Bub

Title: Katanga Bub
Artist: Anne de Vries
Year: 2011
Dimensions: 90 × 144 cm
Materials: Mobile devices mounted on a lightbox displaying a press image of the Katanga mines in the Congo, rephotographed underwater

About:
Katanga Bub brings together the extremes of the mobile device industry. It is based on a press image depicting the landscape and workers of Katanga in the Democratic Republic of Congo—an area mined for minerals such as tungsten and coltan, essential for mobile device production. The press image has been rephotographed underwater and presented within a freestanding display unit. As water ripples and bubbles distort the scene beneath, the screens of multiple mobile devices display clearer details of the same Katanga mine view. This fusion of the earthy origins of mining and the liquefied luxury of global technology commodities explores the relationship between material extraction and digital information. The work highlights the dual narrative: while mobile devices disseminate knowledge and raise global awareness with the promise of a better world, the rare earth economy also supports problematic social and political infrastructures in Congo. It reveals the recursive links between matter and information, tracing the path from raw material to data generation.

Documentation:
Exhibition views from Trails Rising, Sandy Brown Gallery, Berlin; The Composing Rooms, London; and Treijac Project, France

The (s)Oil we Eat

Title: at Aral GmbH
Artist: Anne de Vries
Year: 2014
Dimensions: 241 × 112 × 51 cm
Materials: Earth from Naturpark Hoher Fläming; Aral BlueTronic SAE 10W-40; Sonax Xtreme Antifrost & Klarsicht Konzentrat Nano Pro; Ignite Vitamin Water; acrylic pipes; rubber corks; stainless steel; paint
 

Title: at Capbreton Beach
Artist: Anne de Vries
Year: 2014
Dimensions: 278 × 190 × 31 cm
Materials: Vinaigre aux herbes; huile d’olive; acrylic pipes; rubber corks; stainless steel; paint; beach sand; Styrofoam
 


Title:
at Holiday Inn
Artist: Anne de Vries
Year: 2014
Dimensions: 318 × 100 × 31 cm
Materials: Purex laundry detergent; Comfort Lavender laundry softener; Cola Light; acrylic pipes; rubber corks; stainless steel; paint
 


Title: at Strani Venice
Artist: Anne de Vries
Year: 2014
Dimensions: 225 × 120 × 35 cm
Materials: Aperol Spritz; Chianti; Piatti detergenti; acrylic pipes; rubber cork; stainless steel; paint
 


Title: at Téte de Rigaud
Artist: Anne de Vries
Year: 2014
Dimensions: 98 × 58 × 30 cm
Materials: Soil; Styrofoam; beer lid; tiny metal stands

Copyright: Annde Vries

Timetables


Title: Timetables
Artist: Anne de Vries
Year: 2011
Dimensions: Variable
Materials: Wood; metal; ceramic; digital photo prints on tables

About:
This piece features photographs taken from the clouds above Amsterdam in 2007.

Documentation:
Exhibition views from TruEye surView curated by Katja Novitskova, W139 in Amsterdam

 

LISTENING

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Title: Listening, 01, 02, 03
Artist: Anne de Vries
Year: 2015
Dimensions: Variable
Materials: Mixed media; vinyl with UV print; stones coated in silicone; Polyurethane foam coated in silicone; steel; Kneed pox; acrylic hair
About:
Duo exhibition by Anne de Vries and Olga Balema at Michael Thibault gallery Los Angeles


 

 

Play R’ Grip

Title: Tech No Grind
Artist: Anne de Vries
Year: 2010
Materials: Wood; metal; rubber; plastics; UV print


Title: Play-R Grip
Artist: Anne de Vries
Year: 2010
Materials: Smashed tennis racket on the wall with an integrated audio headset


Title: Turn A Round
Artist: Anne de Vries
Year: 2010
Dimensions: Variable
Materials: Digital prints on laminated wooden display boxes; plastics


Title: Private Goods
Artist: Anne de Vries
Year: 2009
Materials: Wood; digital print; plastic; rubber

 

PLAN

Plan

Title: Plan
Artist: Anne de Vries
Year: 2005
Material: C-print
Dimensions: 60 × 45 cm

The Dike Story

annedevries_pswarrr_web

Title: The Dike Story
Artist: Anne de Vries
Year: 2003
Dimensions: 117 × 70 × 85 cm
Materials: Video projection on laminated wooden sculpture

Stick and Plant

Title: Stick and Plant
Artist: Anne de Vries
Year: 2003
Dimensions: 2.5 × 3 × 14 m
Materials: 2-channel video installation; wood; kentia plants; roofing; clothing hangers; clothing; bench. 
About:
Stick and Plant is a 2-channel video installation that reconstructs a rehabilitation center. Various treatments unfold inside and outside the video projections, which are integrated into the physical installation. Viewers witness participants changing in and out of camouflage suits and hiding within the kentia plant jungle behind the wooden wall.

Welcome Home

Title: Welcome Home
Artist: Anne de Vries
Year: 2003
Material: PAL video with audio
Duration: 5-minute loop

The Opening

'The Opening' an event, performance and installation by artist Anne de Vries and Alberto de Michele, 2003

Title: The Opening
Artists: Anne de Vries, Alberto De Michele
Date: May 22–27, 2000
About:
The Opening was an art performance, installation, and event held over the course of one workweek at the Gerrit Rietveld Pavilion in Amsterdam. During this time, the two artists confined themselves inside a black cube furnished with only essential amenities: a bed, food, a toilet, and a single small pocket camera whose flash served as their sole source of light.