Hold on, Auto Future

Title: Hold On, Auto Future
Artist: Anne de Vries

Year: 2013
Size: 250cm x 450cm x 300cm
Material: stainless steel, solvent-printed bath towels with data.
About:
In and around the handrail we find towels hanging, like leftovers from physical activity. On these towels, computer-generated data is printed, describing events scheduled 100 to several 1000 years from today. The texts are results of random web-based searches unveiling an existing auto-generated future.

Air Gap Hold On

Air Gap Hold On
Artist: Anne de Vries
Year: 2012
Material: Stainless steel, Digital print on a towel, Digital print on plastic.
Size: 117 cm x 60 x 8 cm

 

Air gap (plumbing)
An air gap, as it relates to the plumbing trade, is the unobstructed vertical space between the water outlet and the flood level of a fixture. A simple example is the space between a wall mounted faucet and the sink rim (this space is the air gap). Water can easily flow from the faucet into the sink, but there is no way that water can flow from the sink into the faucet without modifying the system. This arrangement will prevent any contaminants in the sink from flowing into the potable water system by siphonage and is the least expensive form of backflow prevention.

 

Air gap (networking)
An air gap or air wall is a security measure often taken for computers and computer networks that must be extraordinarily secure. It consists of ensuring that a secure network is physically isolated from insecure networks, such as the public Internet or an insecure local area network. Frequently the air gap is not completely literal, such as via the use of dedicated cryptographic devices that can tunnel packets over untrusted networks while avoiding packet rate or size variation. Even in this case, there is no ability for computers on opposite sides of the air gap to communicate.

Katanga Bub

Title: Katanga Bub
Artist: Anne de Vries

Year: 2011
Size: 35.43 x 56.69 inch
Material: Mobile devices glued on a light box displaying a press image of the Katanga mines in the Kongo, rephotographed under water.

About: The extreme ends of the mobile device industry are brought together in ‘Katanga Bub’. It is based on a press image depicting the landscape and workers of Katanga, in The Democratic Republic of Congo – an area mined for many minerals like tungsten and coltan, which have been crucial for the manufacture of mobile devices. For this work, the press image of the Katanga mines has been re-photographed underwater and set within a freestanding display unit. as water ripples and bubbles float over the surface, distort- ing the scene underneath, the screens of numerous mobile phones show clearer details of the same view of the Katanga mine. The elemental earthy origins of the mines are (re)connected with the liquefied luxuriance of global technology commodities and their marketing aesthetics, to express the easy exchange of information through these devices. This work fuses two opposing but connected ends of the story: on one hand, the mobile devices help spread knowledge and raise global awareness, with the false promise of engendering a better world. On the other hand, while the economy of “rare earth” props up the problematic social and political infrastructures of the Democratic Republic of Congo, it also reveals the recursive relationships between matter and information underwritten by the move from production to the product; from raw material to data generation.

Exhibition views from Trails Rising at Sandy Brown Gallery in Berlin, The Composing Rooms in London, and Treijac Project in France

The (s)Oil we Eat

Title: at Aral GmbH
Artist: Anne de Vries
Year: 2014
Dimensions: 241 x 112 x 51 cm
Materials: Earth from Naturpark Hoher Fläming, Aral BlueTronic SAE 10W-40, Sonax Xtreme antifrost&klarsicht konzentrat Nano Pro, Ignite Vitamin water, Acrylic pipes, Rubber corks, Stainless steel, Paint.

Title: at Capbreton Beach
Artist: Anne de Vries
Year: 2014
Dimensions: 278 x 190 x 31 cm
Materials: Vinaigre aux herbes, Huile d’olive, Acrylic pipes, Rubber corks, Stainless steel, Paint, Beach sand, Styrofoam.

Title: at Holiday Inn
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rtist: Anne de Vries
Year: 2014
Dimensions:  318 x 100 x 31 cm
Materials: Purex Laundry detergent, Comfort Lavender laundry softener, Cola Light, Acrylic pipes, Rubber corks, Stainless steel, Paint.

Title: at Strani Venice
Artist: Anne de Vries
Year: 2014
Dimensions: 225 x 120 x 35 cm
Materials: Aperol Spritz, Chianti, Piatti Detergenti, Acrylic pipes, Rubber cork, Steal, Paint.

Title:at Téte de Rigaud
Artist: Anne de Vries
Year: 2014
Dimensions: 98 x 58 x 30 cm
Materials: Soil, Styrofioam, Beer lid, Tiny metal stands.

Copyright: Annde Vries

Timetables

Title: Timetables
Artist: Anne de Vries
Year: 2011
Size: Variable
Material: wood, metal, ceramic, digital photo prints on tables.
About: This piece consists of photographs taken from the clouds above Amsterdam in 2007
Exhibition views from TruEye surView curated by Katja Novitskova at W139 in Amsterdam

 

 

LISTENING

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Title: Listening, 01, 02, 03
Artist: Anne de Vries
Year: 2015
Dimensions: Variable
Materials: Mixed Media work, Vinyl with UV-Print, Stones coated in Silicon,
Poly Utherane foam coated in Silicon, Steel, Kneed pox, and Acrylic hair.
About: Duo exhibition by Anne de Vries and Olga Balema
at Michael Thibault gallery Los Angeles

Play R’ Grip

 

Title: Tech No Grind
Artist: Anne de Vries
Year: 2010
Material: Wood, metal, rubber, plastics, UV-Print

 

Title: Play-R Grip
Artist: Anne de Vries
Year: 2010
Materials: Smashed tennis racket on the wall, with an integrated audio headset.

 

Title: Turn A round
Artist: Anne de Vries
Year: 2010
Materials: Digital prints on laminated wooden display boxes, plastics.
Size: variable.

 

Title: Private Goods
Artist: Anne de Vries
Year: 2009
Materials: Wood, digital print, plastic, rubber.

PLAN

Plan

Title: Plan
Artist: Anne de Vries

Year: 2005
Material: c-print
Size: 60 x 45 cm

The Dike Story

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Title: The Dike Story
Artist: Anne de Vries

Year: 2003
Materials: video projection on a laminated wooden sculpture
Size: 117 x 70 x 85 cm

Stick and Plant

Title: Stick and Plant
Artist: Anne de Vries
Year: 2003
Materials: 2-channel video installation, wood, kentia plants, roofing, clothing hangers, clothing, bench, etc.
Dimensions: 2,5 x 3 x 14 meter 
About: ‘Stick and Plant’ is a 2-channel video installation that reassembles a rehabilitation center. Different treatments take place inside and outside the video projections integrated into the installation.
We witness participants changing in and out of camouflage suits and hiding in the kentia plant jungle behind the wooden installation wall.

Welcome Home

 

Welcome Home
Artist: Anne de Vries
Year: 2003
Material: PAL Video with audio
Duration: 5 minutes loop

The Opening

'The Opening' an event, performance and installation by artist Anne de Vries and Alberto de Michele, 2003

Title: The Opening
Artists: Anne de Vries, Alberto De Michele
When: May 22-27th, 2000
About: An art performance, installation, and event occurred over the course of one ‘work-week’ at the Gerrit Rietveld Pavilion in Amsterdam. During this event, two artists confined themselves within a black cube, equipped with only essential amenities: a bed, food, a toilet, and a single small pocket camera whose flash served as their sole source of light.