
















Title: Playtime Is Over
Year: 2025
Artist: Anne de Vries
Actors: Timon Grau, Julien-Jakob Kneer, Anna Uddenberg, Otto Uddenberg de Vries,
Description: 22-minute video installation with sound
Resolution: 3840 × 2160 pixels (4K)
Title: Playtime Is Over
Year: 2025
Artist: Anne de Vries
Actors: Timon Grau, Julien-Jakob Kneer, Anna Uddenberg, Otto Uddenberg de Vries,
Description: 22-minute video installation with sound
Resolution: 3840 × 2160 pixels (4K)
Title: STAMP ALERT – Connecting The Dots
Year: 2025
Artist: Anne de Vries
Description:
An immersive installation exploring themes of media and constructed realities through a combination of animatronics, video, and large-scale printed visuals.
Installation Components:
Produced in collaboration with: ODYSSEY, Köln, and Blue Velvet, Zürich
Title: STAMP ALERT – Cosmic Horde Report
Year: 2024
Artist: Anne de Vries
In Collaboration With: Mansur Suri (main actor and narrator)
Medium: Video installation, 4K resolution, with audio
Duration: 22-minute loop
Description: A fictional news channel hosted by Anya Demure, covering diverse global news stories that interweave the lives of the two central characters, Mansur and De Wachter, blending their individual journeys into a shared narrative.
Title: STAMP ALERT – Home Dweller’s Journey
Year: 2024
Artist: Anne de Vries
In Collaboration With:
Contributors: Mansur Suri (main actor), Leonardo Reuvenkamp (3D animator)
Produced in Collaboration With: ODYSSEY, Cologne
Description: Life-sized video projection of a virtual apartment inhabited by the character De Wachter. The apartment also features the video STAMP ALERT, a fictional news program presented by Anya Demure.
Resolution: 7680 × 4320 pixels, stereo sound
Title: In Control
Artist: Anne de Vries
Year: 2022
Dimensions: Variable
Materials: Fencing, prints on PVC
Description: Banners on the fencing advertise fictitious future events, featuring real locations and dates. It remains unclear whether these events signal a revolution or a party. The visuals, inspired by flyers for Tekno, Hardcore, and Bondage events, form a layered collage. Upon closer inspection, the locations reveal themselves as the headquarters of some of the world’s most environmentally destructive corporations.
Exhibited at: Frans Hals Museum, Haarlem
Title: Critical Mass: Pure Immanence
Artist: Anne de Vries
Year: 2015
Video: Full HD with stereo sound
Screen dimensions: 300 x 135 cm
Duration: 11-minute loop
Camera, video editing, lyrics, and music arrangement by:
Anne de Vries and Q-dance, including AquaDome, LPIN-AX, Phill Niblock, Thomas Ankersmit, and others.
Video stills and documentation from:
the 9th Berlin Biennale, KW Institute for Contemporary Art, Nuit Blanche Paris, Cell Projects London, Fries Museum, and Foam Museum.
Title: Oblivion
Artist: Anne de Vries
Year: 2016 and 2018
Dimensions: 380 x 200 x 60 cm
Materials: Sand, stones, wood, plastic, aluminum, paint, PVA, styrofoam, miniature advertisement campaign, miniature graffiti, miniature truss system, miniature LED projector, miniature Hi-Fi system.
About:
Oblivion is a hardstyle event diorama at a scale of 1:87, featuring several texts produced specifically for this installation.
Exhibition views from:
The 9th Berlin Biennale at KW in Berlin; Fries Museum in Groningen; KUMU Museum in Tallinn.
Read more about this project HERE in Flash Art Magazine.
Title: Submission
Artist: Anne de Vries
Year: 2015
Dimensions: Variable
Materials: 4-track audio, video live streams, fiberglass, wood
About:
Inside the first gallery, Submission pulls together threads of the human psyche by exploding the concept of a head into a variety of architectural structures and symbolic representations—paired with the very technologies we use to stimulate thought and communication. Live-streamed screens of global locations transport viewers from the bustling streets of Times Square, New York City to the tranquil stillness of a South American birdwatching site. Time zones shift to accommodate the viewer’s perception of presence.
Each makeshift architectural shelter contains conversations between a mediator—commissioned by the artist—and representatives from a range of disparate global institutions: monasteries, shelters, detention centers, swingers clubs, and meditation retreats. Through interviews that explore each institution’s philosophy and mission, a layered soundscape emerges. The resulting audio simulates overlapping codes, rituals, and beliefs that begin to blend into one unified sonic texture.
Technology assumes an anthropomorphic form, and the dialogue reveals the merging of psychological, institutional, and technological environments. Language fragments into AI-like loops, suggesting the human mind as both subject and extension of the automated tools it creates.
Exhibition views from:
Solo exhibition Submission at Cell Project Space, London
Solo exhibition Public Cortex at Onomatopee, Eindhoven
Hybrid Layers at ZKM | Center for Art and Media, Karlsruhe
Title: Nightwatch at the Parking Lot
Artist: Anne de Vries
Year: 2014
Dimensions: Variable large-scale installation
Materials: Metal eyeglasses, walls, furniture, surveillance camera systems, LCD screens, fabrics, and other props.
Documentation: From The Moving Museum at Shishane Autopark in Istanbul
Title: Forecast
Artist: Anne de Vries
Year: 2011
Material: HD video projection
Dimensions: 300 × 135 cm projection screen
Length: 5-minute loop
Sound: James Whipple (aka M.E.S.H.)
Text: Excerpts from Bertrand Russell’s A.B.C. of Relativity — Philosophical consequences
About:
Forecast is a computer-generated video featuring a camera panning through photographs of a blue sky with clouds over Amsterdam. A slow voice guides the viewer through specific segments of Bertrand Russell’s ABC of Relativity, explaining the distinctions between actuality and perception, and addressing relativity theory and concepts of space-time. Midway, the spoken text transitions into music, leading the viewer into a more associative, immersive experience.
Documentation: Views from Kunsthal Charlottenborg in Denmark, Max Mayer Gallery in Dusseldorf, and E_MERGE at Foam Museum.
Watch the preview version of FORECAST here
This gallery contains 5 photos.
Title: The Chosen Few
Artist: Anne de Vries & Harm van der Dorpel
Year: 2009
Media: HD video
Duration: 4:26 minute Loop
Sound: Stereo
About: ‘The Chosen Few’ is a computer-generated video, in which the camera is panning through a…
Title: The Dike Story
Artist: Anne de Vries
Year: 2003
Materials: Video projection on laminated wooden sculpture
Dimensions: 117 × 70 × 85 cm
Title: Stick and Plant
Artist: Anne de Vries
Year: 2003
Materials: 2-channel video installation, wood, kentia plants, roofing, clothing hangers, clothing, bench, etc.
Dimensions: 2.5 × 3 × 14 meters
About: Stick and Plant is a 2-channel video installation that reconstructs a rehabilitation center. Various treatments unfold inside and outside the video projections, which are integrated into the physical installation. Viewers witness participants changing in and out of camouflage suits and hiding within the kentia plant jungle behind the wooden wall.
Title: Welcome Home
Artist: Anne de Vries
Year: 2003
Material: PAL video with audio
Duration: 5-minute loop
Title: Undercover Material
Artist: Anne de Vries
Year: 2002
Material: PAL Video with audio
Duration: 5 minutes loop