CAVE2CAVE Artist: Anne de Vries Year: 2011 – 2019 Size: 130 x 100 cm (60.63 inch x 33.46 inch) Material: UV print on mirror foil, aluminum frame About: Photographs of wrinkled reflections of cave paintings and UV-printed on mirror foil on a stretcher.
Title: Interface – Downstairs Artist: Anne de Vries Year: 2014 Dimensions: 164 x 124 cm Materials: 2 digital prints on 2 sheets of Forex, with digital cut-outs, painted wooden frame. About: Exhibition views from Folklore Contemporain Exhibition ll with sculptures by Sebastien Aubry & Dimitri Broquard at SWG in Glasgow.
Title: Interface – Musashi Artist: Anne de Vries Year: 2014 Dimensions: 164 x 124 cm Materials: 2 digital prints on 2 sheets of Forex, with digital cut-outs, painted wooden frame.
Title: Interface – Il Casolare Artist: Anne de Vries Year: 2014Dimensions: 164 x 124 cm Materials: 2 digital prints on 2 sheets of Forex, with digital cut-outs, painted wooden frame.
Title: Interface – Easy Jet Artist: Anne de Vries Year: 2014 Dimensions: 164 x 124 cm Materials: 2 digital prints on 2 sheets of Forex, with digital cut-outs, painted wooden frame.
Whole World Overview Artist: Anne de Vries
Year: 2011
Size: 220cm
Materials and techniques: UV print on Dibond and 4mm Plexiglass About: This artwork is generated by Anne de Vries in association with NASA’s The Whole World satellite photography.
The footage is stretched into a circle (North-Pole to South-Pole) reminiscent of ancient Sun Crosses and Sun Wheels. Documentation by: Future GalleryBerlin
Title: Infinite Value
Artist: Anne de Vries Year: 2009
Sizes: 5 x 74 x 53 cm
Material: 3 digital prints in front of each other in the frame. About: 3 Digital prints overlaid in the custom-made wooden frame.
By milling out parts of the first image, another version of the same image appears.
Title: Katanga Bub Artist: Anne de Vries Year: 2011 Size: 35.43 x 56.69 inch Material: Mobile devices glued on a light box displaying a press image of the Katanga mines in the Kongo, rephotographed under water.
About: The extreme ends of the mobile device industry are brought together in ‘Katanga Bub’. It is based on a press image depicting the landscape and workers of Katanga, in The Democratic Republic of Congo – an area mined for many minerals like tungsten and coltan, which have been crucial for the manufacture of mobile devices. For this work, the press image of the Katanga mines has been re-photographed underwater and set within a freestanding display unit. as water ripples and bubbles float over the surface, distort- ing the scene underneath, the screens of numerous mobile phones show clearer details of the same view of the Katanga mine. The elemental earthy origins of the mines are (re)connected with the liquefied luxuriance of global technology commodities and their marketing aesthetics, to express the easy exchange of information through these devices. This work fuses two opposing but connected ends of the story: on one hand, the mobile devices help spread knowledge and raise global awareness, with the false promise of engendering a better world. On the other hand, while the economy of “rare earth” props up the problematic social and political infrastructures of the Democratic Republic of Congo, it also reveals the recursive relationships between matter and information underwritten by the move from production to the product; from raw material to data generation.
Exhibition views from Trails Rising at Sandy Brown Gallery in Berlin, The Composing Rooms in London, and Treijac Project in France
Title: Timetables Artist: Anne de Vries Year: 2011 Size: Variable Material: wood, metal, ceramic, digital photo prints on tables. About: This piece consists of photographs taken from the clouds above Amsterdam in 2007 Exhibition views from TruEye surView curated by Katja Novitskova at W139 in Amsterdam
Title: The Chosen Few Artist: Anne de Vries & Harm van der Dorpel Year: 2009 Material: HD video Length: 4:26 minute Loop Sound: Stereo About: ‘The Chosen Few’ is a computer-generated video, in which the camera is panning through a large batch of photographs taken of the shape shifting crowds at Hardcore parties by ID&T in The Netherlands.