Title: In Control
Artist: Anne de Vries
Year: 2022
Dimensions: Variable
Material: Fencing, prints on vinyl
Description: The banners on the fencing advertise fictitious future events, featuring real locations and dates.
It remains unclear what these events will exactly entail: a revolution or a party. The visuals are a collage inspired by flyers for Tekno, Hardcore, and Bondage events.
Upon closer inspection, one could notice that the events are taking place at some of the most environmentally destructive corporations’ headquarters.
Where: Frans Hals Museum, Haarlem
Tag Archives: techno
Stomping Grounds
Title: STOMPING GROUNDS
About: The art installation ‘Stomping Grounds’ is a 1:1 replica made from sand, of the giant gold vault, underneath the Jewish-owned Wertheim building
which after a turbulent history, and the fall of the Berlin wall in 1989 became the cradle of techno music from Detroit, Chicago, UK, and of course Germany, known as Tresor.
Art installation by Anne de Vries in collaboration with
Curators: Adriano Rosselli, Odessa Evelyn Malke
Researcher: Sven von Thülen (der Klang der Familie)
Sand carvers: Bouke Atema, Jeroen Advocaat.
Sound designers: Rowan Ben Jackson, Odysseas Constantinous.
4D Sound programming: Usomo
Location: Kraftwerk Berlin
Campaign Tech 2016
Title: Campaign Tech 2016
Artist: Anne de Vries
Year: 2017
Materials: acrylic paint, UV-print, vinyl, aluminum truss system
Critical Mass : Pure Immanence
Title: Critical Mass : Pure Immanence
Artist: Anne de Vries
Year: 2015
Video: Full HD
Screen 300cm x 135cm
Duration: 11 min loop
Camera, Video edit, Lyrics and Music arrangement by:
Anne de Vries and Q-dance including AquaDome, LPIN-AX, Phill Niblock, Thomas Ankersmit, a.o.
Video stills and Documentation from the 9th Berlin Biennale at KW, Nuit Blanche Paris, Cell Projects London, Fries Museum and Foam Museum