Title: Interface – DownstairsArtist: Anne de VriesYear: 2014Dimensions: 164 × 124 cmMaterials: Two digital prints on Photo Forex sheets with CNC cut-outs; painted wooden frameAbout:The Interface project is informed by processes of tracking thought and observation, and by an interest in how the constant exchange between the two might be visualized. This inquiry was shaped by broader […]
Tag Archives: Art
Interface – Musashi
Title: Interface – Musashi
Artist: Anne de Vries
Year: 2014
Dimensions: 164 × 124 cm
Materials: Two digital prints on Photo Forex sheets with CNC cut-outs; painted wooden frame
About:
The Interface project is informed by processes of tracking thought and observation, and by an interest in how the constant exchange between the two might be visualized. This inquiry was shaped by broader technological preoccupations of the time, particularly in the early days of A.I., when there was a growing attempt within the tech world to model and make legible the often messy cognitive processes through which we perceive and understand reality. The work also engages with the history of photography and its longstanding investment in the documentation of “reality.” By using photography to visualize perception as fragmented, layered, and non-linear, the project questions ideas of photographic clarity and objectivity, suggesting instead that our experience of the world may be closer to painting – subjective, composite, and constructed – than we might like to admit.
Interface – Easy Jet
Title: Interface – Easy Jet
Artist: Anne de Vries
Year: 2014
Dimensions: 164 × 124 cm
Materials: Two digital prints on Photo Forex sheets with CNC cut-outs; painted wooden frame
About:
The Interface project is informed by processes of tracking thought and observation, and by an interest in how the constant exchange between the two might be visualized. This inquiry was shaped by broader technological preoccupations of the time, particularly in the early days of A.I., when there was a growing attempt within the tech world to model and make legible the often messy cognitive processes through which we perceive and understand reality. The work also engages with the history of photography and its longstanding investment in the documentation of “reality.” By using photography to visualize perception as fragmented, layered, and non-linear, the project questions ideas of photographic clarity and objectivity, suggesting instead that our experience of the world may be closer to painting – subjective, composite, and constructed – than we might like to admit.
Infinite Value
Title: Infinite Value
Artist: Anne de Vries
Year: 2009
Dimensions: 5 × 74 × 53 cm
Materials: Three digital prints layered within a custom wooden frame
About:
This work features three digital prints overlaid inside a custom wooden frame. By milling out sections of the first print, another version of the same image is revealed, creating a layered visual effect.